The North American British Music Studies Association
Recent Publications, Spring 2016
Articles
Aspden, Suzanne. “‘Sancta Cæcilia Rediviva’. Elizabeth Linley: Repertoire, Reputation and the English Voice.” Cambridge Opera Journal 27/3 (November 2015): 263-287.
Atlas, Allan. “On the Reception of Vaughan Williams’s Symphonies in New York, 1920/1–2014/15.” Royal Musical Association Research Chronicle 41/1 (2016): 24-86.
Baade, Christina. “‘Something We Cannot Get in England’: Hearing Anglo-American Difference in America Dances.” American Music 33/3 (Fall 2015): 307-344.
Banfield, Stephen. “Grainger the Edwardian.” Musicology Australia 37/2 (March 2016): 148-166.
Bucciarelli, Melania. “Senesino’s Negotiations with the Royal Academy of Music: Further Insight into the Riva–Bernardi Correspondence and the Role of Singers in the Practice of Eighteenth-Century Opera.” Cambridge Opera Journal 27/3 (November 2015): 189-213.
Desler, Anne. “The little that I have done is already gone and forgotten’:Farinelli and Burney Write Music History.” Cambridge Opera Journal 27/3 (November 2015): 215-238.
Duncan, Cheryll. “New Purcell Documents from the Court of King’s Bench.” Royal Musical Association Research Chronicle 41/1 (2016): 1-23.
Grimley, Daniel M. “Music, Landscape, and the Sound of Place: On Hearing Delius’s Song of the High Hills.” Journal of Musicology 33/1 (Winter 2016): 11-44.
Guthrie, Kate Guthrie. “Awakening ‘Sleeping Beauty’: The Creation of National Ballet in Britain.” Music & Letters 96/3 (August 2015): 418-48.
Hamilton, Katy. “‘A man of many hobbies…’: Alan Adair and the Concerts of the Adair Wounded Fund.” Fontes Artis Musicae 63/1 (January-March 2016): 33-43.
Hill, Jennifer. “Deeply helpful training’: Percy Grainger’s First Piano Teachers in Late Nineteenth-century Melbourne.” Musicology Australia 37/2 (March 2016): 135-147.
Johnstone, Jennifer. “Welshness and Choral Singing: Cognitive and Sociohistorical Aspects of Cultural Identity in North Wales.” Journal of the Canadian Society for Traditional Music 42/1 (2015): https://journals.lib.unb.ca/index.php/MC/issue/view/1826.
Kingsbury, Stephen. “Aesthetic Meaning in the Congregational Masses of James MacMillan.” Yale Journal of Music & Religion 2/1 (2016): http://dx.doi.org/10.17132/2377-231X.1014.
Loomis, Karen, Ticca Ogilvie, and Lore Troalen. “Reidentifying the wood of the Queen Mary and Lamont harps.” Early Music 43/4 (2015): 623-634.
Marini, Stephen A. “Whitefield’s Music: Moorfields Tabernacle, The Divine Musical Miscellany (1754), and the Fashioning of Early Evangelical Sacred Song.” Yale Journal of Music & Religion 2/1 (2016): http://dx.doi.org/10.17132/2377-231X.1043.
McLaughlin, Noel. “Another Green World?: Eno, Ireland and U2.” Popular Music History 9/4 (2014): 173-194: https://journals.equinoxpub.com/index.php/PMH/issue/current.
Nedbal, Martin. “Reinterpreting The Bartered Bride: Vašek as a Model for Britten’s Albert Herring.” Journal of Musicological Research 34/3 (2015): 275-298.
Owen, Ceri. “Making an English Voice: Performing National Identity during the English Musical Renaissance.” Twentieth-Century Music 13/1 (March 2016): 77-107.
Robinson, Suzanne. “‘Life’s Major Crossroads’: Study and Career Paths of Four Australian Women Composers at the Royal College of Music in the 1930s.” Musicology Australia 37/2 (March 2016): 167-184.
Russell, Dave. “Key Workers: Toward an Occupational History of the Private Music Teacher in England and Wales, c.1861–c.1921.” Royal Musical Association Research Chronicle 41/1 (2016): 145-72.
Scobie, Christopher. “Ephemeral Music?: – The ‘Secondary Music’ Collection at the British Library.” Fontes Artis Musicae 63/1 (January-March 2016): 21-32
Sharpe, Richard. “Tommaso Giordani, Gregorio Ballabene’s Messa a dodici cori con organo and Sacred Music in Late-Eighteenth-Century Dublin.” Journal of the Society for Musicology in Ireland Vol. 11 (2015-16): 25-35.
Smith, Neil Thomas. “The Case for a British Darmstadt.” Tempo 69/274 (October 2015): 50-57.
Stirling, Christabel. “Sound Art / Street Life: Tracing the social and political effects of sound installations in London.” Journal of Sonic Studies 11 (2016): http://sonicstudies.org/current.
Turner, Kristen M. “Class, Race, and Uplift in the Opera House: Theodore Drury and His Company Cross the Color Line.” Journal of Musicological Research 34/3 (2015): 320-351.
Walden, Daniel K.S. “Charting Boethius: Music and the Diagrammtic Tree in the Cambridge University Library’s de Institutione Arthimetica, MS II.3.12.” Early Music History 34 (October 2015): 207-28.
Watson, Laura. “Epitaph for a Musician: Rhoda Coghill as Pianist, Composer and Poet.” Journal of the Society for Musicology in Ireland Vol. 11 (2015-16): 3-23.
Books
The Beatles are Here!: 5- Years After the Band Arrived in America, Writers and Other Fans Remember. Chapel Hill, NC: Algonquin Books of Chapel Hill, 2014.
Beyond Britten: The Composer and the Community. Edited by Peter Wiegold and Ghislaine Kenyon. Woodbridge, UK: Boydell Press, 2016.
Felix Aprahamian: Diaries and Selected Writings on Music. Edited by Lewis Foreman and Susan Foreman. Woodbridge, UK: Boydell and Brewer, 2015.
Fuhrmann, Christina. Foreign Opera at the London Playhouses, from Mozart to Bellini. Cambridge and New York: Cambridge University Press, 2015.
Gelly, Dave. An Unholy Row: Jazz in Britain and its Audience, 1945-1960. Cambridge and New York: Cambridge University Press, 2014.
Grainger the Modernist. Edited by Robinson, Suzanne and Kay Dreyfus. Farnham, UK: Ashgate, 2015.
Hunter, David. The Lives of George Frideric Handel. Woodbridge, UK: Boydell and Brewer, 2015.
Huston, Jennifer L. US: Changing the World through Rock ‘n’ Roll. North Mankato, MN: Capstone Press, 2015.
Johnston, Roy with Declan Plummer. The Musical Life of Nineteenth-Century Belfast. Farnham, UK: Ashgate, 2015.
Lazareviće, Slobodan and Radmila Paunovic Stajn. The Mythological in the Operas of Benjamin Britten. Lewiston, NY and Ceredigion Wales: Edwin Mellen Press, 2014.
Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family. Edited by Nicholas Temperley. Woodbridge, UK: Boydell Press, 2016.
Palmer, Andrew. Encounters with British Composers. Woodbridge, UK: Boydell and Brewer, 2015.
Ritchie, Fiona and Douglas M. Orr. Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia. Chapel Hill, NC: The University of North Carolina Press, 2014.
The Sea in the British Musical Imagination. Edited by Eric Saylor and Christopher M. Scheer. Woodbridge, UK: Boydell & Brewer Ltd., 2015.
Smith, Jeremy L. Verse and Voice in Byrd’s Song Collections of 1588 and 1589. Woodbridge, UK: Boydell Press, 2016.
Tougas, Jose. The Beatles: Defining Rock ‘n’ Roll. North Mankato, MN: Capstone Press, 2015.
