We are pleased to announce that the following people have been elected to serve as officers and board members of NABMSA. They will take up their posts on January 1, 2017.
Vice-President: Linda Austern
Treasurer: Therese Ellsworth
Board Member: Christina Baade
Student Board Member: Imani Mosley
Congratulations to these members and thanks to all who stood for election!
NABMSA is pleased to announce that the winner of the biennial Temperley prize for the outstanding student paper at the Seventh Biennial Conference in Syracuse is Christy J. Miller. Miller, a doctoral student at the University of Kansas, presented a paper entitled ““If They Can Do It, I Guess That We Can, Too”: Folk and “Folk-Styled” Music as Propaganda in The Martins and the Coys.” The abstract is below. Congratulations to Ms. Miller and all of the excellent student papers!
The Martins and the Coys is one of three ballad operas the BBC commissioned from American writers and musicians for radio broadcast in England in 1944 and 1945. The productions were modeled on the tradition of English ballad opera: they were plays with spoken dialogue, and popularly known songs and contrafacta were interpolated throughout. However, each uses an archetypal American topic: the Harlem Renaissance, a cattle drive across the untamed frontier, and—in The Martins and Coys—an Appalachian family feud. In addition to popular songs, they utilized folk, blues, and “folk-styled” songs not only because they were stylistically appropriate to the subject matter but also for the purpose of representing the American experience to English audiences. These ballad operas were part of a discreet propaganda campaign to encourage mutual understanding and solidarity between English and American citizens on the home front, and to promote transcultural understanding between England and the U.S. during and after the war.
Documentary evidence from the BBC Written Archives, Listener Research reports, and critical reviews reveal how The Martins and the Coys was received, and additional planning documents and correspondence help to reconstruct ideology surrounding the three ballad operas. Musically, I analyze performative aspects of the radio productions using extant recordings, considering how the choice of repertory, performers, and arrangement styles were intended to influence perceptions of international camaraderie. Through analytical strategies of propaganda theory and psychological warfare, I investigate American intentionality and English response to the ballad opera’s message of reconciliation and solidarity. Ultimately, examining the ballad opera with these frameworks contributes to our understanding of the relationship between the United States and England during World War II, and it adds to the scholarly body of knowledge concerning American radio propaganda as a part of British musical life.
The new issue of NABMSA Reviews is now posted, with reviews of:
Check it out here, along with all the past issues: http://nabmsa.org/nabmsa-reviews/
For all those attending the biennial conference at Syracuse (Aug 4-6, 2016), this is a reminder to book your hotel. The block room rate will end on July 8, 2016. Bookings must be made by this date to guarantee a room at the discounted rate. Information about booking one of the two hotels (Parkview or Sheraton) can be found at http://nabmsa.org/conferences/2016-biennial-conference/2016-biennial-conference-local-arrangements/.
Here are the NABMSA election results (via Jennifer Oates):
President – Eric Saylor
Secretary – Danielle Ward-Griffin
Board – Jenny Doctor and Christopher Scheer
Thank you to all who ran. A special thanks to our out-going officers and the tremendous work they have done: Candace Bailey (President), Nathaniel Geoffrey Lew (Secretary), Dorothy de Val and Justin Vickers (board).
In addition to announcing Ruth Solie as our second lifetime member, the winner of the Diana McVeagh Book Prize was announced:
Rebecca Herissone, Musical Creativity in Restoration England (Cambridge, 2013)
Stephen Lloyd’s Constant Lambert: Beyond the Rio Grande (Boydell, 2014) received honorable mention.