compiled by Jennifer Oates
Articles and Book Chapters
Clapp-Itnyre, Alisa. “Reforming Society: Missionary and Bands of Hope Hymns for Children.” In “Perplext in Faith”: Essays on Victorian Belief and Doubts, edited by Alisa Clapp-Itnyre and Julie Melnyk , 75-114. Newcastle, UK: Cambridge Scholars, 2015.
Collins, Sarah. “The Composer as ‘Good European’: Musical Modernism, Amor fati and the Cosmopolitanism of Frederick Delius.” Twentieth-Century Music 12/1 (March 2015): 97-123.
Cook, James. “The Style of Walter Frye and an Anonymous Mass in the Lucca Choirbook.” Music & Letters 96/1 (February 2015): 1-27.
Knighton, Tess. “John Brande Trend (1887–1958) and His Musical ‘Iter Hispanicum’.” Music & Letters, 95/4 (November 2014): 550-583.
Lovesey, Oliver. “‘A Cellarful of Boys’: The Swinging Sixties, Autobiography, and the Other Beatle.” Popular Music and Society 38/2 (2015):160-175.
Meinhart, Michelle. “Variations on the Grand Tour: Musical Seduction and Catholic Communion in the Mid-Nineteenth-Century Italian Travel Diaries of Lady Anne Noel Blunt.” In “Perplext in Faith”: Essays on Victorian Belief and Doubts, edited by Alisa Clapp-Itnyre and Julie Melnyk, 168-207. Newcastle, UK: Cambridge Scholars, 2015.
Piekut, Benjamin. “Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: Experimental Music in London, 1965–1975.” Journal of the American Musicological Society, 67/3 (Fall 2014): 769-824.
Switzky, Lawrence. “Allegory and Its Limits in the Ring: Bernard Shaw and Patrice Chéreau on Wagner.” Musical Quarterly 30/2-3 (Spring-Summer 2014): 172-187.
Ward-Griffin, Danielle. “Virtually There: Site-Specific Performance on Screen.” Opera Quarterly 30/4 (Autumn 2014): 362-8.
Walsh, Michael J.K., “Mama’s Boys, Celtus, and the Troubles in Northern Ireland.” Rock Music Studies, 2/1 (February 2015): 46-60.
Wollenberg, Susan. “Musical Life in a University City: The Development of Concert Culture in Nineteenth-Century Oxford.” Ad Parnassum, 12/24 (October 2014).
Butler, Katherine. Music in Elizabethan Court Politics. Woodbridge, UK: Boydell, 2015.
John Wallis: Writings on Music. Edited by David Cram and Benjamin Wardhaugh. Farnham, Surrey; Burlington, VT: Ashgate, 2014.
Duguid Timothy. Metrical Psalmody in Print and Practice: English ‘Singing Psalms’ and Scottish ‘Psalm Buiks’, c. 1547-1640. Farnham, Surrey; Burlington, VT: Ashgate, 2014.
George Frideric Handel: Collected Documents. Edited by Donald Burrows, et. al. Cambridge and New York: Cambridge University Press, 2014.
Ghuman, Nalini. Resonances of the Raj: India in the English Musical Imagination, 1897-1914. New York: Oxford University Press, 2014.
Goulden, John. Michael Costa: England’s First Conductor: The Revolution in Musical Performance in England, 1830-1880. Farnham, Surrey; Burlington, VT: Ashgate, 2015.
Legacies of Ewan MacColl: The Last Interview. Edited by Allan F. Moore and Giovanni Vacca. Farnham, Surrey; Burlington, VT: Ashgate, 2014.
Black Popular Music in Britain Since 1945. Edited by Jon Stratton and Nabeel Zuberi. Farnham, Surrey; Burlington, VT: Ashgate, 2014.
Toft, Robert Toft. With Passionate Voice: Re-Creative Singing in Sixteenth-Century England and Italy. Oxford: Oxford University Press, 2015.
Womack, Kenneth. The Beatles Encyclopedia: Everything Fab Four. Santa Barbara, CA: Greenwood, 2014.