Musicology Now has a new (and minimally controversial) blog post. Elina Hamilton explores whether or not Queen Elizabeth II really has an honorary doctorate in musicology.
North American British Music Studies Association
The latest issue of NABMSA Reviews (Vol. 3, No. 2) is now available. It has reviews of books on the player piano in the Edwardian age, the sea in the British imagination, nineteenth-century London concert life, identity in Irish music, the British symphony and the London Royal College of Music Library.
If you haven’t had a chance to visit Not Another Music History Cliché, then you’re missing out. NABMSA’s own Linda Shaver-Gleason has been taking on the persistent myths and misinterpretations that keep popping up in program notes, blogs, and other writings. The most recent post tackles W.H. Auden and Benjamin Britten.
Syracuse University News has a fascinating piece highlighting Amanda Eubanks Winkler’s work on staging Restoration Shakespeare. It’s worth a read for anyone interested in Shakespeare, the Restoration, or historical staging practices.
We are pleased to announce that the following people have been elected to serve as officers and board members of NABMSA. They will take up their posts on January 1, 2017.
Vice-President: Linda Austern
Treasurer: Therese Ellsworth
Board Member: Christina Baade
Student Board Member: Imani Mosley
Congratulations to these members and thanks to all who stood for election!
The eleventh Music in Nineteenth-Century Britain conference will take place at the University of Birmingham from 28 to 30 June 2017. The Programme Committee invites proposals for presentations as follows:
• Individual papers up to 20 minutes and lecture recitals up to 45 minutes in length (with additional time for questions and discussion).
• Group presentations (e.g. round tables) up to two hours in length (depending on the number of participants).
Papers and presentations may focus on any aspect relevant to the conference’s over-arching remit, i.e. to present research into musical texts, performers and performances, and culture, and the social and economic uses of music in Britain, in the long nineteenth century (approximately 1789 to 1914). We particularly welcome proposals that focus on the first of these areas. We also invite proposals for papers and presentations that examine the influence and impact outside the then United Kingdom of musical texts, performers and cultures originating in the British Isles.
Please send proposals to the Programme Committee Chair, Dr Paul Rodmell (firstname.lastname@example.org) in the following format:
• Individual Papers: abstract up to 300 words and autobiography up to 100 words.
• Lecture recitals: abstract up to 300 words, autobiography up to 100 words, and sample recording (e.g. via youtube link)
• Group Presentation: overall rationale up to 450 words, individual abstracts up to 300 words each, and individual autobiographies up to 100 words each.
Please include a note of any specialist technical needs (a piano, and audio visual equipment for powerpoint, sound and video recordings, will be provided as standard).
The deadline for submissions is Monday 12 December 2016. A draft conference programme will be published in mid-January 2017.
Conference bookings will open in February 2017.
Dr Paul Rodmell (Chair, University of Birmingham)
Professor Rachel Cowgill (University of Huddersfield)
Professor Fiona Palmer (Maynooth University)
Dr Matthew Riley (University of Birmingham)
Dr Aidan Thomson (Queen’s University, Belfast)