North American British Music Studies Association

Recent Publications, Fall 2016

Articles

Atkins, Peter. “‘An Ireland Built Anew’: Bax’s ‘Tintagel’ and the Easter Rising.” Music & Letters 97/1 (1 February 2016): 100-135.

Bowers, Roger. “Thomas Tallis at Dover Priory, 1530–1531.” Early Music 44/2 (May 2016): 197-205.

Braae, Nick. “Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980.” Popular Music History 9/3 (2014).

Burrows, Donald. “Handel, Walsh, and the Publication of ‘Messiah’.” Music & Letters 97/2 (May 2016): 221-48.

Butler, Katherine. “Changing Attitudes Towards Classical Mythology and their Impact on Notions of the Powers of Music in Early Modern England.” Music & Letters 97/1 (1 February 2016): 42-60.

Chowrimootoo, Christopher. “‘Britten Minor’: Constructing the Modernist Canon.” Twentieth-Century Music 13/2 (September 2016): 261-90.

Cichy, Andrew. “Music, Meditation, and Martyrdom in a Seventeenth-Century English Seminary.” Music & Letters 97/2 (May 2016): 205-20.

Duncan, Cheryll. “Henry Purcell and the construction of identity: iconography, heraldry and the Sonnata’s of III Parts (1683).” Early Music 44/2 (May 2016): 271-88.

Fleming, Simon D.I. “The myth of the forgotten composer—the posthumous reputation of Charles Avison.” Early Music, Christopher Hogwood Memorial Issue, 44/1 (February 2015): 105-17.

Johnstone, Andrew. “Thomas Tallis and the five-part English Litany of 1544: evidence of ‘the notes used in the king’s majesty’s chapel’.” Early Music 44/2 (May 2016): 219-32.

King, Richard G. “Who does what? On the roles of the violoncello and double bass in the performance of Handel’s recitatives.” Early Music, Christopher Hogwood Memorial Issue, 44/1 (February 2015): 45-58.

Leistra-Jones, Karen. “‘The Deeps have Music Soft and Low’: Sounding the Ocean in Elgar’s Sea Pictures.” Music & Letters 97/1 (1 February 2016): 61-99.

McCarthy, Kerry. “A late anthem by Tallis.” Early Music 44/2 (May 2016): 191-95.

McGreary, Thomas. “Handel in Rome: the homosexual context reconsidered.” Early Music, Christopher Hogwood Memorial Issue, 44/1 (February 2015): 59-75.

Miller, Rebecca S. “Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969.” Popular Music History 9/3 (2014).

Milsom, John. “Tallis, the Parker psalter, and some known unknowns.” Early Music 44/2 (May 2016): 207-18.

Pont, Graham. “Some questions concerning Handel’s early London copyists.” Early Music 44/2 (May 2016): 289-305.

Robinson, Suzanne. “Popularization or Perversion? Folklore and Folksong in Britten’s Paul Bunyan (1941).” American Music Vol. 34, No. 1 (Spring 2016): 1-42.

Roche, Elizabeth. “‘Coming events cast their shadows before’: Christopher in Cambridge, 1960–67.” Early Music, Christopher Hogwood Memorial Issue, 44/1 (February 2015): 11-20.

Rogers, Vanessa L. “Haydn as a London “Star:” Thoughts on Using Material Culture to Teach Eighteenth-Century Music at a Liberal Arts College.” Haydn: The Online Journal of the Haydn Society of North America 6/1 (Spring 2016): http://www.rit.edu/affiliate/haydn/ .

Skinner, David. “‘Deliuer me from my deceytful ennemies’: a Tallis contrafactum in time of war.” Early Music 44/2 (May 2016): 233-50.

Talbot, Michael. “Thomas Bowman, Vicar of Martham: evangelist and composer.” Early Music, Christopher Hogwood Memorial Issue, 44/1 (February 2015): 77-88.

White, Harry. “The Lexicography of Irish Musical Experience: Notes towards a Digital Future.” Fontes Artis Musicae 63/3 (July-September 2016): 192-201.

Williamson, Magnus. “Queen Mary I, Tallis’s O sacrum convivium and a Latin Litany.” Early Music 44/2 (May 2016): 251-70.

 

Books

Brocken, Michael. The Twenty-First Century Legacy of the Beatles: Liverpool and Popular Music Heritage Tourism. Farnham, UK; Burlington, VT: Ashgate, 2015.

Butler, Katherine. Music in Elizabethan Court Politics. Woodbridge, UK: The Boydell Press, 2015.

Carnelley, John. George Smart and Nineteenth-Century London Concert Life. Woodbridge, UK: The Boydell Press, 2015.

Daub, Adrian and Charles Kronengold. The James Bond Songs: Pop Anthems of Late Capitalism. Oxford: Oxford University Press, 2015.

Furhmann, Christina. Foreign Opera at the London Playhouses: From Mozart to Bellini. Cambridge: Cambridge University Press, 2015.

Greer, David. Manuscript Inscriptions in Early English Printed Music. Farnham, UK; Burlington, VT: Ashgate, 2015.

Hall, Michael. Music Theatre in Britain: 1960-1975. Woodbridge, UK: The Boydell Press, 2015.

Lew, Nathaniel G. Tonic to the Nation: Making English Music in the Festival of Britain. New York: Routledge, 2016.

Mangsen, Sandra. Songs without Words: Keyboard Arrangements of Vocal Music in England, 1560–1760. Woodbridge, UK: Boydell and Brewer, 2016.

Mullen, John. The Show Must Go On!: Popular Song in Britain during the First World War. Farnham, UK; Burlington, VT: Ashgate, 2015.

Ó hAllmhuráin, Gearóid. Flowing Tides: History and Memory in an Irish Soundscape. Oxford: Oxford University Press, 2016. 344

Rupprecht, Philip Ernst. British Musical Modernism: The Manchester Group and Their Contemporaries. Cambridge: Cambridge University Press, 2015.

Stroeher, Vicki P., Nicholas Clark, and Jude Brimmer, eds. My Beloved Man: The Letters of Benjamin Britten and Peter Pears. Aldeburgh Studies in Music, Film & Theatre, Music. Woodbridge, UK: Boydell and Brewer, 2016.

Waldrep, Shelton. Future Nostalgia: Performing David Bowie. New York: Bloomsbury Academic, 2015.

Watt, Paull and Anne-Marie Forbes, eds. Joseph Holbrooke: Composer, Critic, and Musical Patriot. Lanham, MD: Rowman & Littlefield, 2015.

 

Scores

Eccles, John. Incidental Music, Part 1: Plays A-F. Edited by Amanda Eubanks Winkler. Recent Researches in Music of the Baroque Era, 190. Middleton, WI: A-R Editions, 2015.

Handel, George Frideric. Coronation Anthems, HWV 259, 258, 260, 261. Edited by Stephn Blaut. Hallische Händel-Ausgabe, III/10. Leipzig: Breitkopf, 2015.

Handel, George Frideric. Lucio Cornelio Silla. Edited by Terence Best. Hallische Händel-Ausgabe, II/7. Leipzig: Breitkopf, 2015.

MacMillan, James. The Keening for large orchestra. London: Boosey, 2015.

MacMillan, James. The Passion of Our Lord Jesus Christ According to Luke. Vocal score. London: Boosey, 20015.

MacMillan, James. Stomp (with Fate and Elvira): Concert Overture for Orchestra. London: Boosey, 2015.

MacMillan, James. Tryst for chamber orchestra. London: Boosey, 2015.

Vaughan Williams, Ralph. Four Hymns for Tenor, Solo Viola & String Orchestra. London: Boosey, 2015.

Vaughan Williams, Ralph. Richard II. Incidental Music for a Radio Production of William Shakespeare’s Play. Edited by Nathaniel G. Lew. Willington, New Zealand: Promethean, 2014.